donderdag 5 april 2012

The Shakespeare (and Dickens) Walk

I'm now basically going to tell you in the same order as the tour what I learnt about Shakespeare and his time on the walk.



The tour started in front of St Pauls cathedral. This was not the cathedral that Shakespeare would have known in his time. Shakespeare was born in 1564 and died in 1616. The year of 1666 (note the last three numbers of the year, this caused extra suspision in the time) was catastrophic for London as it was the year of the Great London Fire. During the fire the Cathedral that Shakespeare would have known burnt down, together with the majority of other buildings from central London.

In Shakespeare's time this area was the centre of the book and stationary trade. The church yard whould have been used for book markets. A road near here is called Cheapside which means "marketplace". In the time of Shakespeare only the very centre was city. Places such as Soho and Knightsbridge were considered out in the leafy country.



Next we visited the Guildhall. The building we see here was started in 1411 so it would have been familiar to Shakespeare. It is the only stone building not connected to the church in London to have survived the Great fire of London. (I found it quite interesting, the square was in fact built on top of the old Roman ampitheatre of Londinium, gladiators would have even fought here.)



Next we visited a memorial to Shakespeare and his work but also to Henry Condell and John Hemminges. They were friends of Shakespeare and had worked together for 25 years. They were also business partners at the Globe Theatre. They later all became part of the group the King's Men, referring to the then in reign King John. 2000 plays were staged in this time, we now only know 230 of these.

When Shakespeare died Condell and Hemminges published all of his work in a bundle of what they call The First Folio. Shakespeare had not published them himself as there wasn't generally much call for it as most people were alliterates. There was also no such thing as copyright in those days in regard to the writers. Only once the text had gone to the publisher did the publisher have the copyright. Before The First Folios were published, publications had been made which were called the Quartos. These were probably pieced together by what actors and visitors of the plays remembered. As Condell and Hemminges were such good friends of Shakespeare and probably had more inside information that the Folios are considered the most accurate. Many texts of the plays would have been lost to us know had the Folio not been published, including Macbeth.

The Globe was not in the same location in 1599 as it is now. 3000 people used to be squeezed in into the theatre of which 1000 were standing. Now only 1500 are brought into the theatre for productions. The Globe Theatre from this age burnt down when a cannon was fired on stage and set light to the thatching. It was rebuilt but this building also burnt down in the London Fire. (An interesting fact about the acts was that they were in fact timed to candle light and this was the very reason why they exist. A candle would be lit at the beginning of an act and if correctly timed would have burnt down by the end, ready to light a new one for the next scene.)



Shakespeare lived in Noble Street, then known as Silver Street, a street next to part of the London Wall which can be seen on an old map of London from 1561, the Agas Map. Shakespeare's mention of this location was in a documented court case on a disputed dowery. Shakespeare moved often as he was a bit of a tax dodger. After Silver Street he bought a place in Blackfriars.



After passing the London Wall at Noble Street we headed off to the Priory Church of St Bartholomew the Great. The Gate you pass under to get to the small courtyard surrounding the courtyard would have been there in Shakespeare's times. The stone part of the wall was dated in the 1200s, the Tudor timbering in the 1500s. Elizabeth, The Tudors and Shakespeare in Love were all filmed in this church. (So was Sherlock Holmes, Four Weddings and a Funeral, Robin Hood, and King's Speech but these scenes were cut from the movie. A new unreleased movie, Shakespeare's "Richard II" was also filmed here.)



Back out through the gate and across the small square is St Bartholomew's Hospital. 300 protestants were burnt near here, Shakespeare's cousin was also executed in the area. (I didn't know but William Wallace was also executed here. He is a real hero of mine and although I've read quite bit about I hadn't known this was the spot. It was quite scary seeing the plaque suddening that commemorated his death.)

The tour ended near here. A lot more information was given during the tour but was irrelevant to my projects so I left it out here.

TIME COUNT:
1 Hour and 45 minutes on the tour
1 Hour processing notes for use in project

(As this is part of my preliminary research (Onderzoeksfase) I feel that the time should be included. I shall be doing this for all relevant parts on my trip including my meeting with Meghan. I understand this was not originally the idea, but to be honest I think since I made the effort and went to the expense of going to London with one of the main reasons being to meet her that I deserve to mention the time count.)

STILL TO COME...

-Shakespeare in London Locations

-Shakespeare's Globe and Meeting Meghan

-Inspiration at the British Museum

-Brief Overview of other things I visited on my trip

London, first of all a brief message of explanation...

I had a marvellous time in London. I visited so many things: directly related to my projects and other places of personal interest which also turned out to be very benificial.

An important discovery, was that basing a project on the Shakespeare and Dickens Tour was not a particularly good idea. The tour was very good and very interesting... "so why not" I hear you wondering? The only, but very important, fault in the tour was combining the two writers. Dickens and Shakespeare, although they were both writers based in London, they were also in completely different times, with hundreds of years between them. This large gap created two completely different atmospheres in the tour which meant that one couldn't really get into either as one had to constantly jump between the two very different worlds. I personally believe basing my project on this would be a mistake as I really want to create one atmosphere with my project.

Because of this I have decided to return to my former idea of purely basing my project on Shakespeare's London. The tour was still very benificial for this project, I learnt of new places I hadn't found in my research so that was great. I visited many other Shakespeare related locations in London, both original and modern and I feel a lot more happy with this idea. I shall make the map with the London Tourist Board in mind and will contact them on the completion of my project to see what they think. Whether this is before or after the school exam doesn't bother me too much as I personally just really want to know what they think. Meghan at the Globe has also very kindly agreed to take a look at my map. It turns out she actually knows Elizabeth who is also going to be looking at it :D

Soon to follow in my Photo Supported London Blog Entries:

-Shakespeare & Dickens Tour: research info learnt and photos

-Shakespeare in London Locations

-Shakespeare's Globe and Meeting Meghan

-Inspiration at the British Museum

-Brief Overview of other things I visited on my trip

vrijdag 23 maart 2012

Just Three More Sleeps to London!!!

After having posted my contact with Godmachine to the wrong blog I see I also haven't quite kept things up to date. So here we go...

To look at my CD Cover I already had Eric van de Boom who I visited together with some other co-students earlier this school year. Although he has a lot of experience with illustrating for cd-covers it has been in a very different genre. Because of this I decided to look for an illustrator with more experience in the fantasy genre, not necessarily in cd-covers. The Clannad CD Cover Legend is also the soundtrack for The Robin of Sherwood TV-programme and I really want to focus on the characters in the programme in the booklet as they are what most of the songs are about. I contacted Brian Froud and Caitlin Hackett, an American Artist who I discovered while doing research for my stage. Although I got no reply from Brian Froud, Caitlin was more than happy to help. You can take a look at her absolutely amazing and inspiring work here: http://caitlinhackett.carbonmade.com/

Next I still had no one to look at my Shakespeare in London project. There have been two developments in this area. The Marketing Manager from Shakespeare's Globe never replied to my email and the more and more I thought about the project the less I thought it was appropriate for Theatre promotion. As I already have contact with the Globe to look at my t-shirt design. (Meghan has been great and given me loads of tips on writing the brief for the t-shirt design and sent be an old t-shirt design brief of the shop's. I'm really looking forward to meeting her in a week's time, although a little bit nervous.) I could have thought of something else to promote the Globe but I really wanted to carry on with my Shakespeare's London project. At first I thought it would be good for the London Tourist Board. But then.... while researching Shakespearean sites in London I made a breakthrough. I discovered London Walks, a company which organised a large number of guided walks through the city including the very well known Jack the Ripper walk. More importantly though I found a Shakespeare and Dickens walk. I now plan to base my project on that particular walk. It could be a illustrated impression that they could hand out at the tour, or if too costly you could perchase from the tour guide as a momento. I'll be going on it on Wednesday and I'll speak to the guide afterwards who I can speak to about looking at my project and even see if there is any interest in it.

The second development is the artist who will be looking at it. At first I searched for artists who had worked on maps or city impressions which left me rather lost as I found most of the work dull and lacking any sense of atmosphere. I carried on by searching for Shakespeare related art, most of which left me in the same mood as the previous search until I discovered Elizabeth E. Schuch's website via a blog. She had done a large series of Shakespearean illustrations which were the first to really stand out for the atmospheres they created and as she states herself a large amount of her inspiration is from the theatre and architecture. Perfect! I sent her an email and she said she'd be happy to help, was interested in my project and looked forward to seeing what I came up with. Brilliant!!! You can view her work here http://elizabethschuch.com/home.html

And last but most definitely not least... in fact absolutely bloody amazing is the last illustrator I got to look at my Hellblazer cover. I already had the help Godmachine, which blew my mind but I continued to email some people with Graphic Novel experience to help me. As a stab in the dark and not expecting a reply I emailed one of my absolute heroes, Ben Templesmith, an Australian internationally known and awarding illustrator, who coincidentally has also worked on the Doctor Who Graphic Novels. Well within a few days a received a very laid back email saying he'd be happy to help and give his opinion, a nice wee email with B marked at the end. It was such an amazing feeling and that real point of remembrance that you can be as famous as anything but still only human. Speechless I still say to my parents at home I just can't believe that Ben Templesmith said yes. You can take a look at his work here http://www.templesmith.com/

I would imagine that I'll be illustrating the very first issue of Hellblazer, but if there is some development in this I'll say so before I start, shich will be when I return from LONDON :DDDDD

I know we are supposed to post weekly in the stage period but I will not be posting during my 9 day trip to London from the 26th of March to the 3rd of April. I do not want to waste my time there as I can easily give an all in one go update on my return. You can expect a full review including photo's of my London trip either on the 4rth or 5th of April.

So signing off...

AAAAAAAAAAAAAAAAAHHHH!!!

I actually accidentally posted this to my other general blog initially, which I've only just discovered. I just copy pasted this from my original post:

Ok if my dear Papa wasn't asleep downstairs after a hard mornings work I would probably be screaming through the house right now. I have an illustrator to look at my Hellblazer cover and none other than one of my favourites... Godmachine http://godmachinedesigns.blogspot.com/ . He's the one who illustrated the Mary, Wolf and Hendrix t-shirts I love to parade around in so much :D Although he mainly does work for merchandise he's done wicked stuff for horror genre so I thought his opinion would be brillian. He said my work was awesome and he'd be honoured to help! Chuffed, day is totally made :D

dinsdag 7 februari 2012

Meghan from the Globe

Absolutely amazing, I have already received an email from Meghan, Head of Retail and Merchandising at the Globe Shop and she is very happy to help by looking at my tshirt project. She in fact already helps UK ceramics and print students and is interested to see the work of an illustrator, very exciting. She's also very happy to meet me when I am in London to discuss my project and the shop ethos. Abosolutely brilliant, so very excited!

Brief Update

Just a very quick update. I have just emailed Ben Davis and Meghan Cole at the Shakespeare's Globe Theatre to see if they are able to help me. I've emailed a personal introduction to Kate at Millennium FX who is going to be looking at my work. Finally for now, I have emailed menton3 (Menton J. Matthews III - http://menton3.com/) to ask if he can look at my comic cover. Shall soon be sending an email to Eric at Boom Artworks to confirm his assistance and give him an update of my projects (as these were not yet finalized when I was first in contact with him). I would very much like him to look at my CD cover as he has experience in this area and he works a lot with typography.

woensdag 1 februari 2012

Millennium FX Studio

Today's task was to call Millennium FX and the Shakespeare's Globe Theatre.

Well I have got another person to look at my work during the work experience period. The Millennium FX Studio in London is happy to look in on my Doctor Who Character design project. I am to be in contact with the Project Coordinator, Kate, who will in turn pass my work on to the creative team. They might be able to find somebody who has actually worked on the Doctor Who programme.

I also asked if I was able to visit during my time in London, but as they have a no visitor policy this was not possible. It's a real shame but I understand. Of course they have a lot of projects running in there which the general public is not supposed to see before they are released.

A quick overview on Millennium effects. From my research I can see that they are the leading studio in the creation of Character Design and special Effects Prosthetics for European TV and Film. They have also done work for overseas projects such as the TV mini-series the 10th Kingdom, Inkheart, The Hobbit and so many others.

So that's absolutely brilliant.

I don't know whether the Globe can help me yet. I did the fatal mistake of using the word work experience on the phone which immediately threw the lady into the idea I was looking for I placement. I now know to say, I am studying Illustration and will soon be doing a project which requires the opinion of professionals in the field. After explaining that I was looking for someone to look at my work I managed to get the correct email addresses to email for the Globe Theatre, the marketing and merchandise managers. So I shall be emailing them tomorrow to see if they are able to help.

I may hate getting on the telephone but it sure as hell works :D!!!